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<p class="MsoNormal">Two of our OhioDIGers will be presenting--Naomi & Ginnie!<o:p></o:p></p>
<p class="MsoNormal">------<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">The 3rd annual Preservation Week Twitter Conference brought to you by the
<a href="https://www2.archivists.org/groups/preservation-section">Society of American Archivists Preservation Section</a> will be held on Wednesday April 29, beginning at 1pm.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><a href="https://twitter.com/search?f=tweets&vertical=default&q=%23PresTC2020&src=typd">#PresTC2020
</a><-- link to Twitter stream<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
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Time (All times EDT)<o:p></o:p></p>
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<span style="color:black">Session</span><o:p></o:p></p>
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<span style="color:black">1:00-1:15 PM</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">Engaging Collections: at the Intersection of Art with Libraries, Archives, and Special Collections</span></i></b><i><span style="color:black">, with Lydia See</span></i><i><o:p></o:p></i></p>
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<span style="color:black">ABSTRACT: <i>Engaging Collections</i> is an online journal and emerging creative residency at the intersection of art with libraries, archives, and special collections. Our mission is to fund artists to share untold narratives through
public artworks that build community and demystify historical collections through an equity-based lens. This presentation will discuss the original goals of
<i>Engaging Collections</i> at its outset and its focus on equity, the pivot to an online journal during COVID-19, the hopes for deeper integration between artists and archivists (and other library science professionals), and future plans for the initiative.</span><span style="background:white"><o:p></o:p></span></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Lydia See is a multidisciplinary practitioner, educator, and curator of art + archives who is passionate about the uses of art for social justice + civic engagement. She is a recent awardee of the Z. Smith Reynolds Foundation
AllforNC Fellowship, Director of Engaging Collections, a practicing studio artist, an educator of students from early childhood through end of life, and she believes that cultural access has the power to transform lives. She is especially interested in facilitating
new pathways for participation in museums, galleries, libraries, archives, and special collections.</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">1:20-1:35 </span><o:p></o:p></p>
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<b><i><span style="color:black">Image Analysis for Cultural Heritage </span></i></b><i><span style="color:black">with Naomi Langer</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: This thread discusses the “how” and “why” of using targets and image analysis software (GoldenThread) in a digitization workflow to ensure successful digital preservation of our collections materials, from the perspective
of the digitization lab at Kelvin Smith Library, part of Case Western Reserve University.</span><o:p></o:p></p>
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<span style="color:black">BIO: Naomi Langer is the Digitization Technician at Kelvin Smith Library, Case Western Reserve University. She operates the Digitization Lab, part of the Freedman Center for Digital Scholarship, where the library’s rare and unique
materials from Special Collections and University Archives are imaged for purposes of preservation, access, and scholarship. She also runs the @cwrudigilab Instagram account.</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">1:40-1:55</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">The Right to be Forgotten + digital archives </span>
</i></b><i><span style="color:black">with Virginia Dressler</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: Digital archive managers are routinely faced with the conundrum of processing takedown requests, particularly around personal names. Requests are often faced with differing decisions by the individual, with an inherent conflict
between the desire for erasure (or Right to be Forgotten) and the desire for a comprehensive, searchable digital archive.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Mrs. Virginia Dressler is the Digital Projects Librarian at Kent State University. Her specialty areas are project management of digital projects and reformatting of analog collections for open digital collections, including overseeing
the <i>Daily Kent Stater</i> digital archive project (daily student newspaper) and working with the university’s unique collections. She holds an MLIS from Kent State University and MA in Art gallery and Museum Studies from the University of Leeds.</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">2:00-2:15</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">How to help! National Disaster Recovery Fund for Archives
</span></i></b><i><span style="color:black">with Eve Neiger</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: A representative from the Preservation Section will give some background on the National Disaster Recovery Fund for Archives (NDRFA), share some success stories from grant recipients, and call for donations to the fund.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Eve Neiger is visual materials archivist at the Beinecke Rare Book & Manuscript Library at Yale University. Eve serves as the current Immediate Past Chair of the Preservation Section and Chair of the Preservation Section's NDRFA
Committee as well as a member of the NDRFA Grant Review Committee.</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">2:20-2:35</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">What's hiding in your disaster cache? How your disaster supplies can help fight the global pandemic
</span></i></b><i><span style="color:black">with Kara McClurken</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: Most of us don't give much thought to what's in our disaster supplies until we need them. But cultural institutions have many of the PPE (personal protective equipment) that our health systems and other essential personnel
need in order to help stop the spread of COVID-19 and other infectious diseases.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Kara McClurken is the Director of Preservation Services at the University of Virginia Library and the chair-elect of the Preservation Section of SAA. She served on the SAA Tragic Response Initiative Task Force and helped create
the University of Virginia Library's Digital Collecting Toolkit (http://digitalcollecting.lib.virginia.edu/toolkit/).</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">2:40-2:55</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">Preserving the Present: Institutional Efforts to Document COVID-19
</span></i></b><i><span style="color:black">with Kelley Smith</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: This talk will highlight the efforts of local, national, and international institutions that have created programs to document their community's experiences during the COVID-19 pandemic.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Kelley Smith is a Certified Archivist and manages a private collection in Dallas, Texas. She also serves on the Communication Committee of the SAA Preservation Section.</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">3:00-3:15</span><o:p></o:p></p>
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<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<b><i><span style="color:black">Timed-text Metadata for Accessibility and Discovery of Archival AV
</span></i></b><i><span style="color:black">with Steven Villereal</span></i><i><o:p></o:p></i></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">ABSTRACT: A quick landscape review for those approaching closed-captions and audio description for archival audiovisual materials made accessible online. With an eye towards framing this work as "timed-text metadata" for discovery,
I'll cover unique challenges of archival AV, recommended formats, as well as a tool review for working with timed-text.</span><o:p></o:p></p>
<p class="MsoNormal" style="mso-element:frame;mso-element-frame-hspace:9.0pt;mso-element-wrap:around;mso-element-anchor-vertical:paragraph;mso-element-anchor-horizontal:margin;mso-element-top:10.35pt;mso-height-rule:exactly">
<span style="color:black">BIO: Steven Villereal is the Audiovisual Conservator in the Preservation Services unit, University of Virginia Library, where he is responsible for providing both preservation and access strategies for archival audiovisual materials.</span><o:p></o:p></p>
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